Part 1 - Practice makes one perfect and attracts God's grace - Ashwath Narayan's experience with Sathya Sai

Day: 1st November, 2009

Venue: The Brabourne Cricket stadium, Mumbai

Time: 6:10 pm

Thousands of people had gathered in the stadium to have a glimpse of their ‘Swami’ who was visiting Mumbai after a decade. Dharmakshetra, Bhagawan Sri Sathya Sai Baba’s abode in Mumbai (at Andheri) had long ceased to have sufficient space to accommodate the thronging thousands who wished to have his darshan. Thus, the Sri Sathya Sai Seva Organizations, Maharashtra, had organized different programmes at different large venues around Mumbai. In this way, everyone could get the opportunity of seeing Him once at least during the 2-day visit. The event at Brabourne stadium - a concert by Santoor maestro Rahul Sharma - was meant to be a grand finale before the curtains came down on the Mumbai visit.

Ashwath Narayan sat on the carpeted stadium lawns with the other members of the entourage which had accompanied Swami, first to Hadshi and from there to Mumbai. Almost all the members of the entourage were singers and musicians. They were naturally excited to be here. But it was not because of the prospects of hearing a maestro play the Santoor! It was because of an instruction that Swami had privately given them the day before.

“Get ready with songs. You will be performing tomorrow in the cricket stadium.”

They were possibly the only people other than Swami who knew that there would be no Santoor concert that day.

Bhagawan Baba arrived to the stadium and ascended the huge stage that had been erected. After the opening formalities, the announcement was made which simultaneously surprised and thrilled the audience - the evening programme would be by the students and staff from Puttaparthi. Ashwath stiffened and readied himself. He was scheduled to sing a complicated Carnatic song, Shiva Shankari.

As they had lined up in front of Swami to take padanamaskar before the programme, Swami exchanged a meaningful glance Ashwath.
“Ready”, he asked.
“Yes Swami. You must only sing through all of us...”

Swami seemed satisfied. The programme began with a couple of bhajans and an opening song by the magical Ravikumar. There was a happy applause. That was when Swami turned to Ashwath and gave a slight nod. The microphone was thus placed before him. Offering a mental prostration at Swami’s feet and closing his eyes, Ashwath began.

The initial Alaap itself muted the audience into spellbound admiration. Very soon, Ashwath was exploring the various highs and lows of the song which is set in Raag Darbari. The highlight of the song originally sung by the legendary Ghantasala, is a rapid-fire sequence of notes towards the end. This day, Ashwath managed to sing it sang it one and a half times faster than Ghantasala himself! He also sang it half a note higher than the legend and added many more gamaks (turnings), khadkas and murkis than the original singer!

{I consider myself very privileged to have been witness to the magic weaved that day by Ashwath Narayan. And in order to appease the curious reader’s hunger for that unforgettable rendering, I offer to you, that song for which I have placed a few photos that I shot that day as visuals. In the photos you can also see the maestro Rahul Sharma seated behind Swami’s chair.}

The Live audio recording with a collage of pictures from

that memorable day at Brabourne stadium.

In fact, when the song had been rendered, it took a few moments for people to wake up from their joyous stupor and offer a huge round of applause. Swami turned and looked at Ashwath. Was there a tear in the divine eyes? The face seemed puffed in joyous pride at what His boy had done. The hand went up a bit in silent blessing and benediction. Once again, His boy had become one with Him as he had allowed the magical notes to flow out through his voice.

God's plans are the best for us - the story of Siddhartha's enlightenment_ Part 1

A Gratitude Programme in the offing

The students in the final year postgraduate class in the Prasanthi Nilayam campus of the Sri Sathya Sai Institute of Higher Learning (SSSIHL) were an excited lot. The day was going to be a very special and memorable one for them. The 16th of March in 2009 had been chosen by destiny for them to express their feelings towards their Chancellor and their Swami, Bhagawan Sri Sathya Sai Baba. The ‘Gratitude Programme’ had become an annual opportunity wherein every batch which was passing out (School students from Grade 12, 3rd year Undergraduates and 2nd year Postgraduates) would, via skits, songs and speaking, convey their gratitude to Swami. On His part, Swami would often make this into the most memorable session for all the students. It was therefore natural that Siddhartha’s heart was bursting at the seams with excitement.

However, mixed with that excitement was also a tinge of nervousness regarding his participation in this programme. Every year, the students try to get increasingly innovative in the portrayal of their gratitude to Swami and Siddhartha (aka Sid), with a few of his classmates, had evolved a novel idea.  The plan was to play a game of pass-the-parcel in its classic version in Swami’s presence where a ‘punishment’ lay hidden within each layer of wrapping over a ‘gift’. Each of these punishments would be something interesting which Swami enjoyed seeing. For instance, one of the participants in the game was a mimicry artist and he was ‘fixed’ as the second boy to get ‘punished’ with the task of performing mimicry. Sid had got this idea while seeing an old tape of Swami’s visit to Kodaikanal where Baba had thoroughly enjoyed the game which the students played. But this was not the cause of Sid’s nervousness.

An evening when Swami gave great joy to Sid and Sid gave great joy to Swami...

A particular punishment had been fixed for Sid - to sing the verse which Swami composed as a teenager to market a wonder medicine called Bala Bhaskara. The rationale behind the punishment was twofold - that Sid was a good singer and that the verse seemed very dear to Swami’s heart. To add Swami’s involvement in this, Sid was to act as if he had forgotten a few lines of the verse hoping that Swami would ‘help’ him with the lines. It was a nice and sweet plot to involve Swami but the warden had his own worries,

“See, the plan can backfire if Swami chooses to remain stoic. So, don’t overact. In case you do not get any reaction within a few moments, act as if you have suddenly remembered and complete the verse...”

Sid had agreed to it But secretly, he actually memorised only the first two lines of the verse:

Dorike Dorike Bala Bhaskara, Balan Lara Balaku Lara