A special remembrance
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| A sweeping view of the evening session in Shimla.... I was doing both - photography and video shooting. |
CG was convinced that he had been picked for the visit to Delhi and Shimla as an accompanying artist on the Sitar for the music group. Though it had been more than a week since the Divine Visit began, CG confessed later that he never had felt like Swami had wanted him as a Sitarist for the trip. This feeling had kept getting intense as Swami called different singers and students from the music group and interacted with them. The feeling reached its heights when Swami asked for a ‘final’ music programme in Shimla. (The reason for putting the word ‘final’ in quotes shall become clear in the subsequent parts.) As CG was joining the other students out of the dining hall towards the darshan grounds, Swami had called Lu sir and said,
““Get ready for the programme. Let the Veena also play!”
{This reference has been explained in detail in the previous part which you can access at the link below:
Or you can read from the beginning of the serial where each part is linked to the next. The link to Part 1 is here:
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| Swami interacting with the Himachal youth. The picture captures the wonderful setting of the dining hall with the Ramayana picture. |
Even as Swami mentioned ‘Veena’, He looked at CG. CG was happy that Swami saw him but later, when Lu sir told him what Swami had said, he was simply thrilled. He knew that ‘Veena’ was just a veiled reference to his Sitar! That got him completely charged up and he was raring to go play for the concert. As all the boys filed out, Swami moved to the side and began to look at the paintings and chandeliers in the hall. That was only an excuse to gently amble towards the serving boys. All the youth who were serving us knelt in a row and Swami began interacting with them. Knowing that this was a nice chance for them, I began to take photographs. I had hardly taken three pictures when Swami looked at me and said,
“All boys must go and start the singing!”
I turned around and made a quick exit.
The boys had gone up to gather the instruments. Swami knew that this would take time and so, He was striking two birds at once by interacting with the youth members of Himachal! In spite of that, we were all not ready by the time Swami moved down the lift and arrived on the scene! I was trying to double up as the video cameraman also because CG was now part of the music group. It was not an easy task. Swami began signaling from the stage itself, asking us to start.
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| A signal from a distance to begin... Like on that day, we should always be on a lookout for the Lord's signal in our life... May we remember that God is always watching from a distance... |
A students’ songs programme
Ashwath, the one who needs the least lead time took the mike and began, “Vataapi Ganapatim”. That was an on-the-spot-decision because there was hardly any ‘discussion time’. But the way Ashwath and P Sreenivas took everyone through the ups and downs of the song, nobody felt that it was being sung all of a sudden. Once the first song was complete, the order followed was the same as the private programme the previous evening. It was as if Swami had watched a dress rehearsal yesterday in the interview room. The second song was the qawwali by Ravi bhaiya and Lu sir - “Sai ke darbar mein”. Since Shimla is a Hindi-speaking region, it made immediate impact. Everyone clapped along with the rhythm and many of them sang along too. After that, Prabhakar and Aravind Sai sang “Maa Prana Deepam”. Then came Bantureethi Kolu - the memorable ‘prayer song’ that Swami had liked so much yesterday.
