Delhi-Simla Memories- Part 15 - All good things come to an end - so does the Shimla visit

A special remembrance

A sweeping view of the evening session in Shimla.... I was doing both - photography and video shooting.

CG was convinced that he had been picked for the visit to Delhi and Shimla as an accompanying artist on the Sitar for the music group. Though it had been more than a week since the Divine Visit began, CG confessed later that he never had felt like Swami had wanted him as a Sitarist for the trip. This feeling had kept getting intense as Swami called different singers and students from the music group and interacted with them. The feeling reached its heights when Swami asked for a ‘final’ music programme in Shimla. (The reason for putting the word ‘final’ in quotes shall become clear in the subsequent parts.) As CG was joining the other students out of the dining hall towards the darshan grounds, Swami had called Lu sir and said,

““Get ready for the programme. Let the Veena also play!”

{This reference has been explained in detail in the previous part which you can access at the link below:

Delhi-Simla Memories- Part 14 - Inaugurations galore at Shimla

Or you can read from the beginning of the serial where each part is linked to the next. The link to Part 1 is here:

Delhi-Simla Memories- Part 1 - Hello Delhi }

Swami interacting with the Himachal youth. The picture captures the wonderful
setting of the dining hall with the Ramayana picture.

Even as Swami mentioned ‘Veena’, He looked at CG. CG was happy that Swami saw him but later, when Lu sir told him what Swami had said, he was simply thrilled. He knew that ‘Veena’ was just a veiled reference to his Sitar! That got him completely charged up and he was raring to go play for the concert. As all the boys filed out, Swami moved to the side and began to look at the paintings and chandeliers in the hall. That was only an excuse to gently amble towards the serving boys. All the youth who were serving us knelt in a row and Swami began interacting with them. Knowing that this was a nice chance for them, I began to take photographs. I had hardly taken three pictures when Swami looked at me and said,

“All boys must go and start the singing!”

I turned around and made a quick exit.

The boys had gone up to gather the instruments. Swami knew that this would take time and so, He was striking two birds at once by interacting with the youth members of Himachal! In spite of that, we were all not ready by the time Swami moved down the lift and arrived on the scene! I was trying to double up as the video cameraman also because CG was now part of the music group. It was not an easy task. Swami began signaling from the stage itself, asking us to start.

A signal from a distance to begin... Like on that day, we should always be on a lookout for the Lord's signal in our life...
May we remember that God is always watching from a distance...

A students’ songs programme

Ashwath, the one who needs the least lead time took the mike and began, “Vataapi Ganapatim”. That was an on-the-spot-decision because there was hardly any ‘discussion time’. But the way Ashwath and P Sreenivas took everyone through the ups and downs of the song, nobody felt that it was being sung all of a sudden. Once the first song was complete, the order followed was the same as the private programme the previous evening. It was as if Swami had watched a dress rehearsal yesterday in the interview room. The second song was the qawwali by Ravi bhaiya and Lu sir - “Sai ke darbar mein”. Since Shimla is a Hindi-speaking region, it made immediate impact. Everyone clapped along with the rhythm and many of them sang along too. After that, Prabhakar and Aravind Sai sang “Maa Prana Deepam”. Then came Bantureethi Kolu - the memorable ‘prayer song’ that Swami had liked so much yesterday.

God loves music - The Nada Brahmam story

When stars descend...

The Radiosai studio at Prasanthi Nilayam, Puttaparthi was abuzz with excitement and activity though it was Sunday, a weekly holiday. The Prasanthi Bhajan Group had gathered there for a special audio recording. The brightest stars from the galaxy of singers at Puttaparthi had descended to the studio for this venture. Each stalwart singer present had his own beautiful story of singing for Swami and the collective experience of the group is worth several books! Take for instance the story of Ravikumar and his Sai Bin Raha Na Jaaye or the love-filled tale of the Meera-boy Koustubh Pare; or there is the test of love of Sai Krishna or the sweet stories of Ashwath Narayan. This is just a sample!

The new and young members of the group were excited to just see these ‘stars’ in action. They knew that rubbing shoulders with these senior members would only enhance their own musical skills and experience. But it was not just the ‘music people’ who had gathered. Music lovers who had been given the chance to be present for the recording had turned up too. It is not daily that one gets to witness a recording of this kind.

But wait! What was it that was being recorded? The straight answer would be - Nada Brahmam.

All had assembled at the Radiosai audio studio for the recording of Nada Brahmam.

What is Nada Brahmam?

Radiosai had been spreading Bhagawan Sri Sathya Sai Baba’s love in the digital dimension for almost a decade now. In an effort to bring high-quality, audio-visual media into the home of the devotees, it started its products wing - Sai Blossom. One of the first audio products by Sai Blossom had been ‘Prasanthi Mandir Bhajans’, a recording of bhajans being sung in the direct presence of the Avatar of the Age. Though the audio CD had been received very well, the problems of making use of live-recorded bhajans began to show through. The audio levels of various instruments would not be evenly balanced across bhajans which would be recorded across several months. There were also some mistakes made by the singers or instrumentalists which could not be corrected.

That was when Radiosai decided to come up with special, high quality, studio-recorded bhajans in a new series. In the quest for the best possible quality, track recording was introduced. Each singer would be made to sing separately and each instrumentalist would play his piece on a metronome. Days would pass in taking different inputs from the chorus singers, the instrumentalists and the lead singers. Any mistake could be corrected. Thus was born the technically-perfect and musically-rich series called  ‘Bhavanjali’ (an offering of feelings). But even that was found lacking!

The ‘live-feel’ was missing. It was felt that though the melody and rhythm was perfect in Bhavanjali, the ‘feeling’ that is aroused in the heart of the singer and the instrumentalists during an actual bhajan session was missing because of the track-recording employed. What was needed was the perfection of studio recording, coupled with the feeling of an actual bhajan session. It was Prof.G.Venkatraman, the director at Radiosai, who came up with the brilliant idea of a new series - Nada Brahmam.

“Record in the studio but ensure that the bhajan session is conducted as a bhajan session and not like a movie-song recording”, he said.

Hadshi Mumbai diaries - Part 10 - When God showed that music moves His heart

Bankers insure with the Divine

The first day of November 2009 dawned bright and sunny in Mumbai. After the privilege of sleeping just outside Swami's room for three successive days in Hadshi, I spent a night in the hostel at Dharmakshetra. Most of the music boys had been up late in the night practicing for the concert that was supposed to be held later in the day. In spite of that, all of them had risen pretty early and seemed geared up for the big moment. By 9:00 a.m. we had finished our breakfast and were waiting for Swami.

The Chief Minister, Sri Ashok Chavan addresses the gathering.

Meanwhile the hall at Satyadeep had become full with eminent men from the world of finance which included bankers and heads of national and multinational financial institutions. Also present was Mr. Ashok Chavan, the Chief Minister of Maharashtra as well as the Leader of Opposition, Mr. Gopinath Munde.

Even as these dignitaries were awaiting His arrival, on the request of Mr. Keki Mistry, an orthodontist and a longtime devotee of Bhagavan, many of them started sharing their thoughts and feelings about Swami. First was the Chief Minister who was followed by Mr. Gopinath Munde. The latter in his brief talk mentioned that though, as the Leader of the Opposition, he often disagreed with the Chief Minister, on that day he wholeheartedly concurred with Mr. Chavan’s views because it was all about Swami and His love. We have often heard words of praise about the love of God. But what I witnessed right now was akin to a dog and cat embracing each other!

(Dear reader,

If you have come directly to this post, I would like to egg you on to enjoy the full story with its history. Link to part 1 is given below and the link to the next part will be at the end of each previous part. Thank you.

Hadshi Mumbai diaries - Part 1 - The Blessing Materializes 

The previous part which is Part 9 is located at the link given below in case you missed that.

Hadshi Mumbai diaries - Part 9 - Goodbye Hadshi, Hello Mumbai

Part 10 continues below)

Soon others joined and many corporate heads who were part of the Conference on Ethics in the World of Finance held a couple of months earlier (in August 28-29, 2009 to be precise) in Puttaparthi started recounting their experiences. This session of heartfelt outpourings, which had really turned into a satsang of CEOs, continued for more than an hour. Still Bhagavan had not arrived. So the Sai Youth and students started bhajans. And no sooner did this begin, there were signs of His coming! It reminded me how the Lord is Gaanapriya (Lover of Music). As He has said, He installs Himself wherever His Glory is sung. Was that a coincidence? I didn't think so.

Swami's arrival finally occurred when the bhajans started - Music invariably pulls the Lord!

By 10:20 a.m., Swami was seated right in front of the small group of students who were singing. Two bhajans later Swami began to move amidst the congregation and now all these financial honchos, completely unmindful of their positions and statuses, seemed to simply dive at His feet at every available opportunity. All chairs, therefore, were discarded and almost every one of them was ‘floored’ by His love. As far as I could see, there was nothing "financial" going on here. Many sought guidance for their personal problems while others just wanted one private moment with Him. No one is an exception where the need for the Divine is concerned and Swami showers His Love on one and all in boundless measure! He says ‘If you need Me, you deserve Me’ and He graciously blessed all of them showering smiles and collecting letters all the while. In the end all the business bigwigs gathered around Swami like children and posed for a group photo.

Whether one is a banker, a head honcho, a CEO or a Chief Minister, at the feet of the Lord, all are His Children!

After all were satisfied, Swami moved through the circular corridor to arrive out from the other entrance of Satyadeep. Here too, there were many devotees on chairs who immediately prostrated at His feet. Swami blessed all of them before entering the car to drive to Gandhi Maidan at Worli.