Part 2 - Practice makes one perfect and attracts God's grace - Ashwath Narayan's experience with Sathya Sai

Brindavan, the place where a student develops pining

The absence of the Sadguru or God in one’s life is indeed an unfortunate situation. However, if that absence comes after one has tasted the Grace of the Sadguru or God, it becomes a blessing. Then, it increases the pining in the heart for one’s Sadguru or God. The Brindavan campus of the Sri Sathya Sai Institute of Higher Learning served as a fertile ground where the devotion of the students and teachers alike grew by pining for the physical form of Swami. Invariably, any student who graduated from XII grade would be sent to the Brindavan campus. Ashwath Narayan thus found himself as a student pursuing the Bachelors of Science degree for Biosciences at Brindavan. That was only the temporary pursuit - his ultimate goal was Swami.

If you have arrived here directly, you are requested to read this part after completing part 1 at the link below:

Practice makes one perfect and attracts God's grace - Ashwath Narayan's experience with Sathya Sai_ Part 1

In an attempt to make up for Swami’s absence, many teachers in Brindavan hold Parayanam sessions. They narrate experiences with Swami to the students, feeding the flames of love for Swami. It was during one such Parayanam session with Sundareshan sir that Ashwath’s heart was set aflame with a desire. Sundareshan sir narrated the experiences of a bhajan singer, S.Ravikumar. The point that struck Ashwath deeply was the silent understanding between Ravikumar and Swami.

“Sometimes Swami indicates to Ravi to sing with a gentle eye-movement. That is enough for him to understand what Swami wants him to sing and when. Nobody else would have noticed but Ravi would have received the communication”, Sundareshan sir said.

'Ravi Bhaiya' or 'Ravi sir' has been an inspiration and role model for many generation of singers that included Ashwath also.

Ashwath knew Ravikumar. He was a legend among the bhajan singer and an icon who had shunned the possible glory that he could have achieved in the world in order to keep singing for Swami. Ashwath had also got the privilege of singing alongside him in the previous year at Brindavan. On that occasion Ashwath had himself sung the Kannada song, “Jagaddhodharana”. It was simply beautiful singing about the little Krishna in Brindavan.

Several days later, when Ashwath offered a rose to Swami before the Arati, Swami asked,

“Voice not good?”

Ashwath did not respond. He just sat at His feet.

Swami waved his palm, materialized vibhuti and gave it to him. Ashwath bowed and took padanamaskar. When he rose, Swami asked in Tamil,

“Sapdacha (Did you eat)?”

Ashwath understood and he put the entire vibhuti into his mouth. Swami then received Arati and left.

Even as he reminisced the day, a desire arose from the depths of Ashwath’s heart,

“How I wish to be able to receive communication from Swami like Ravikumar”, he thought.

As they say, “Do your best and God will do the rest”. Only the efforts rest in human realms but a lot can be done with efforts. Ashwath’s practice went in hand with his pining. The summer of 2004 came and with it, Swami arrived to Brindavan.  The students in Brindavan may get less number of days to interact with Swami but they get something very special - the Trayee Sessions. These were sessions with Swami inside His residence, Trayee Brindavan.

During one such Trayee Session, Ashwath had managed to sit in the front lines near the Jhoola on which Swami was seated. Swami was interacting with the students and teachers. Out of the blue, Ashwath felt Swami look at him from the corner of His eye. Ashwath straightened up and sat in all alertness. Then, it came! A very gentle eye-movement indicating to him to start. It was such a subtle movement that nobody noticed. But for Ashwath, it seemed as loud and clear as an oral order.

Delhi-Simla Memories- Part 17 - A concert in the skies and homecoming

18th April 2010 - The Grand Finale

As the day dawned to greet the Lord for the final day in Delhi, in our hearts too, the realization dawned that soon it would all be over. We were told that our flight was at 1:30 pm and that we should board by 12:30. We had no idea about what the morning session would be like. So, we got up, showered and had breakfast like any other day. Returning to the room, we began to pack up. In sharp contrast to the packing I had done before taking off from Puttaparthi, this was no fun at all. Packing up for this visit had been so full of anticipation-joy However, I must say that in spite of all that, landing back at Parthi and going back to life there was an exciting prospect. How ever far the bird might soar, it has to return to the nest for rest.

By 9:15 am, we were all at the lift landing area outside Swami’s room waiting for Him to arrive. Sai Krishna got busy planning with all the singers to sing some songs of love and gratitude to Swami. The plans were quickly made. In a short while, Swami came out of the room in the normal wheelchair. He saw all of us seated and indicated that He would soon come to us. Then, Swami went back into His room for a short while. When the door reopened and Swami arrived, we started off with the song, “Dayaku Premaku”. Swami was welcomed into our midst with that song and He seemed to be very emotional even as He arrived. Quickly we moved towards Him and gathered around His feet. Sai Krishna and a few others around His feet began massaging them too, drinking deep in the bliss of Padasevanam. Swami sat listening to us as all the elders stood around, forming the perimeter of the circle of love.

The 'last supper' with Swami in Delhi turned out to be a 'lasting supper' in our memories.

Even as the first song was complete, we began, “Madhura mohana”. That song has become sort of a “Prema bandham anthem” ( Anthem to express the bond of Love) between Swami and His children. Even as the song was going on and Swami was emotional, He was calling a volunteer and enquiring whether the food and all other preparations were ready. Swami asked us as to who the composers of these songs were. The answers were given and Swami moved to the dining hall. All of us too went there and Swami said that He would have lunch with all of us. To spend time with us and make it memorable, Swami did not even go down for darshan.

{This is the 17th and final part of an ongoing series. You can read the previous part at this link:

Delhi-Simla Memories- Part 16 - Goodbye Shimla; Hello again Delhi

Or you can read from the beginning of the serial where each part is linked to the next. The link to Part 1 is here:

Delhi-Simla Memories- Part 1 - Hello Delhi }

We were all so happy. We had just finished breakfast a couple of hours ago, but dining with Swami is always a privilege and pleasure. We chanted the food prayer and the lunch session began. It was over in a span of 15-20 minutes. Swami told us to get up and wash our hands. Once we did that, we all all returned to the dining hall and Swami seemed to be giving some final instructions. Many of the boys went and gathered around Swami’s table as He told that He would receive Aarthi and then come to the airport. Phaneendra was standing closest to Swami and thus, he became the interpreter. Accepting what he said, we all turned back and made our way to our rooms.

Swami issues final instructions as everyone gathers around His dining table.

Delhi-Simla Memories- Part 15 - All good things come to an end - so does the Shimla visit

A special remembrance

A sweeping view of the evening session in Shimla.... I was doing both - photography and video shooting.

CG was convinced that he had been picked for the visit to Delhi and Shimla as an accompanying artist on the Sitar for the music group. Though it had been more than a week since the Divine Visit began, CG confessed later that he never had felt like Swami had wanted him as a Sitarist for the trip. This feeling had kept getting intense as Swami called different singers and students from the music group and interacted with them. The feeling reached its heights when Swami asked for a ‘final’ music programme in Shimla. (The reason for putting the word ‘final’ in quotes shall become clear in the subsequent parts.) As CG was joining the other students out of the dining hall towards the darshan grounds, Swami had called Lu sir and said,

““Get ready for the programme. Let the Veena also play!”

{This reference has been explained in detail in the previous part which you can access at the link below:

Delhi-Simla Memories- Part 14 - Inaugurations galore at Shimla

Or you can read from the beginning of the serial where each part is linked to the next. The link to Part 1 is here:

Delhi-Simla Memories- Part 1 - Hello Delhi }

Swami interacting with the Himachal youth. The picture captures the wonderful
setting of the dining hall with the Ramayana picture.

Even as Swami mentioned ‘Veena’, He looked at CG. CG was happy that Swami saw him but later, when Lu sir told him what Swami had said, he was simply thrilled. He knew that ‘Veena’ was just a veiled reference to his Sitar! That got him completely charged up and he was raring to go play for the concert. As all the boys filed out, Swami moved to the side and began to look at the paintings and chandeliers in the hall. That was only an excuse to gently amble towards the serving boys. All the youth who were serving us knelt in a row and Swami began interacting with them. Knowing that this was a nice chance for them, I began to take photographs. I had hardly taken three pictures when Swami looked at me and said,

“All boys must go and start the singing!”

I turned around and made a quick exit.

The boys had gone up to gather the instruments. Swami knew that this would take time and so, He was striking two birds at once by interacting with the youth members of Himachal! In spite of that, we were all not ready by the time Swami moved down the lift and arrived on the scene! I was trying to double up as the video cameraman also because CG was now part of the music group. It was not an easy task. Swami began signaling from the stage itself, asking us to start.

A signal from a distance to begin... Like on that day, we should always be on a lookout for the Lord's signal in our life...
May we remember that God is always watching from a distance...

A students’ songs programme

Ashwath, the one who needs the least lead time took the mike and began, “Vataapi Ganapatim”. That was an on-the-spot-decision because there was hardly any ‘discussion time’. But the way Ashwath and P Sreenivas took everyone through the ups and downs of the song, nobody felt that it was being sung all of a sudden. Once the first song was complete, the order followed was the same as the private programme the previous evening. It was as if Swami had watched a dress rehearsal yesterday in the interview room. The second song was the qawwali by Ravi bhaiya and Lu sir - “Sai ke darbar mein”. Since Shimla is a Hindi-speaking region, it made immediate impact. Everyone clapped along with the rhythm and many of them sang along too. After that, Prabhakar and Aravind Sai sang “Maa Prana Deepam”. Then came Bantureethi Kolu - the memorable ‘prayer song’ that Swami had liked so much yesterday.

Delhi-Simla Memories- Part 13 - Magnificent public session and special private session in Shimla

A magical evening on 15th April

After a good snooze, we began to ready for our first darshan session in Shimla by 4 pm. The washroom area was simply wonderful. It had an empty and large central area with the toilets and bathrooms in separate arrays. The windows overlooked the hills around and a constant breeze filled the space. The gusts of fresh air made it rejuvenating to just stand in this area! Soon, we filed up to the second floor of the mandir, in the interview room there and waited for Swami’s arrival. Once He arrived, we moved up.  

Disneyland? For a spiritual seeker, this is indeed Disneyland with the best of nature and the best of Bhagawan!
This is a picture taken from the back-end of the darshan grounds at Anand Vilas. (Download photo and see
it in full size). 

The tiffin session was a short and quick one. Swami called Dario and asked him which country he came from. “Spain” was the answer. “Not pain” was Swami’s retort! Swami also asked Phaneendra as to which place he was from and the answer was, “Hyderabad”. He also made enquiries about his grandfather and enquired whether he had come here. The tiffin session soon concluded and Swami left for the bhajans session.

The “ship deck” had filled up. There were devotees as far as the eye could see. The ladies side presented a very pleasing sight in its myriad colours. In sharp contrast, the gents’ side was like a white expansive sheet! The lovely blue mountains formed the backdrop with the clear blue skies. A gentle breeze was operating and it refreshed everyone in its trail. The bhajans were already on and everyone were singing enthusiastically as they awaited His arrival. The news had already travelled that Swami was out of His room. The ladies had also seen Him descend in the lift.

{This is the 13th part of an ongoing series. You can read the previous part at this link:

Delhi-Simla Memories- Part 12 - Divine promise to Simla fulfilled

Or you can read from the beginning of the serial where each part is linked to the next. The link to Part 1 is here:

Delhi-Simla Memories- Part 1 - Hello Delhi }

The CM of Himachal Pradesh offers his salutations to Swami.

The chief minister of Himachal Pradesh, Prem Kumar Dhumal had come to pay his respects to Swami. He had a bouquet in his hands and he offered it to Swami before touching His feet in the lift-landing area of the ground floor of the mandir. Along with him were also a few of his cabinet colleagues and they too sought His blessings. Swami was smiling as He blessed them and then He moved into the prayer hall.

God loves music - The Nada Brahmam story

When stars descend...

The Radiosai studio at Prasanthi Nilayam, Puttaparthi was abuzz with excitement and activity though it was Sunday, a weekly holiday. The Prasanthi Bhajan Group had gathered there for a special audio recording. The brightest stars from the galaxy of singers at Puttaparthi had descended to the studio for this venture. Each stalwart singer present had his own beautiful story of singing for Swami and the collective experience of the group is worth several books! Take for instance the story of Ravikumar and his Sai Bin Raha Na Jaaye or the love-filled tale of the Meera-boy Koustubh Pare; or there is the test of love of Sai Krishna or the sweet stories of Ashwath Narayan. This is just a sample!

The new and young members of the group were excited to just see these ‘stars’ in action. They knew that rubbing shoulders with these senior members would only enhance their own musical skills and experience. But it was not just the ‘music people’ who had gathered. Music lovers who had been given the chance to be present for the recording had turned up too. It is not daily that one gets to witness a recording of this kind.

But wait! What was it that was being recorded? The straight answer would be - Nada Brahmam.

All had assembled at the Radiosai audio studio for the recording of Nada Brahmam.

What is Nada Brahmam?

Radiosai had been spreading Bhagawan Sri Sathya Sai Baba’s love in the digital dimension for almost a decade now. In an effort to bring high-quality, audio-visual media into the home of the devotees, it started its products wing - Sai Blossom. One of the first audio products by Sai Blossom had been ‘Prasanthi Mandir Bhajans’, a recording of bhajans being sung in the direct presence of the Avatar of the Age. Though the audio CD had been received very well, the problems of making use of live-recorded bhajans began to show through. The audio levels of various instruments would not be evenly balanced across bhajans which would be recorded across several months. There were also some mistakes made by the singers or instrumentalists which could not be corrected.

That was when Radiosai decided to come up with special, high quality, studio-recorded bhajans in a new series. In the quest for the best possible quality, track recording was introduced. Each singer would be made to sing separately and each instrumentalist would play his piece on a metronome. Days would pass in taking different inputs from the chorus singers, the instrumentalists and the lead singers. Any mistake could be corrected. Thus was born the technically-perfect and musically-rich series called  ‘Bhavanjali’ (an offering of feelings). But even that was found lacking!

The ‘live-feel’ was missing. It was felt that though the melody and rhythm was perfect in Bhavanjali, the ‘feeling’ that is aroused in the heart of the singer and the instrumentalists during an actual bhajan session was missing because of the track-recording employed. What was needed was the perfection of studio recording, coupled with the feeling of an actual bhajan session. It was Prof.G.Venkatraman, the director at Radiosai, who came up with the brilliant idea of a new series - Nada Brahmam.

“Record in the studio but ensure that the bhajan session is conducted as a bhajan session and not like a movie-song recording”, he said.

The difference between happiness and bliss as explained by Sri Sathya Sai Baba

Every moment with the Lord is a beautiful one. A moment of beauty
is a joy forever. 

An impromptu interview with Swami

It was the Indian summer of 1980 in Bangalore. T. Ravikumar, a student in the final year of his postgraduation (MSc), stood outside a bungalow in Brindavan, Whitefield. The vacation had just begun and he had done what he used to do during any holiday - rush to be with his Divine Mother, Guru and God, Bhagawan Sri Sathya Sai Baba. He was standing in front of the bungalow where his Swami was. That was when he received a message that he was being called inside.

He entered the first room of the bungalow and saw that Swami was there with some bureaucrats and officials. Without pondering over who the others were, Ravikumar focused his eyes and attention completely on the goal of his life - Swami. A smile came on his lips and joy filled his heart to the brim. Swami’s darshan always did this to him and it was his thirst for this joy that made him rush to wherever Swami was whenever he got the opportunity. Swami looked and him and asked,

“How come you are here?”

“Swami, the vacation has started and so I came here.”

“Why did you come here?”

“To have your darshan Swami...”

“Why do you want to have darshan?”

“...because it gives me bliss Swami... “

The others in the room were silently witnessing this interaction between the Chancellor of a University and His student. It was akin to an interaction between the Chancellor of the Universe and His devotee. Swami did not stop His line of questioning. He continued,

“Is it bliss or happiness?”

“It is bliss Swami...”

“What is the difference (between happiness and bliss)?”

“Swami, happiness is temporary only. Bliss sustains and grows on me...”

There was silence all around and everyone seemed to be listening keenly to Ravikumar. Ravikumar felt the need to elaborate.

“Swami, suppose I eat a Gulab Jamun (similar to a sweet dumpling) today. Ten years later, when I am hungry and don’t have a Gulab Jamun, the memory of eating it a decade ago will not appease me. In fact, the memory will enhance my feeling of lack and make me feel sad that I don’t have a Gulab Jamun now. Today, Swami is talking to me. If ten years from now, I am in a situation where Swami is not talking to me, I can recollect these beautiful moments and feel the same joy. At such a time, the joy will, in fact, be greater. The joy will never recede and will only grow whenever I think of it. That is why it is bliss - ever growing and never declining.”

A broad smile blossomed on Swami’s face and His eyebrows raised in appreciation. He turned around to the others who had gathered in the room and said that Ravi (that is how Swami calls him) has an answer for everything.

Hadshi Mumbai Diaries - Part 11 - Homecoming

A music concert like never before...

After the Aumkaram, the note on which almost every programme begins in Swami’s presence,  the boys began to sing a Ganesha bhajan! I was a bit surprised and then I understood that Swami must have directed them to do so. After this, when the second bhajan on Krishna started, I seriously doubted if the songs performance had been converted into a bhajan programme! To speak the truth, I felt a 7little disappointed and slowly wended my way back towards the stage. However, even as I arrived on stage and sat down, Ravi bhaiya and Sai Krishna began their song. The aalaap, "Devaaa...” reverberated in the stadium and a thrill ran down my spine. I am sure this would have been the experience of everyone present. There was a thunderous applause to this opening and the song was lovely to say the least.

The impressive stage set for one the most beautiful concerts.

Sai Bin Raha Na Jaaye - I have no life without Sai (experiences of S.Ravikumar) Part 3

God's Award: The only singer with the rare distinction of having sung during both, Baba's 60th Birthday and Baba's
85th Birthday. Here, Swami gives Ravi a shield in December 2010.

The qawwali nears completion

Time seems to fly very quickly when one is enjoying oneself. Every time that I have heard Ravi sing this beautiful qawwali, it has always felt too short. I am sure there are many that would have resisted the temptation to seek an encore because of two reasons:

1. It would look so undignified to do so in Swami’s presence.

2. The only way Ravi would do an encore was when Swami asked him to. In fact, the only time Ravi sings the qawwali is also when Swami asks him to.

Thus, every time the qawwali nears completion, one is always left wanting for more. On one occasion however, things took a different turn. I can never forget that day.

( The above photo collage video has as its background audio, the 13-year old Ravi's rendering of the immortal bhajan, "Brahmanda Nayaka Baba." The story behind it is so beautiful and thrilling and to know it, the reader must visit Part 2 of this story. Actually, this 3rd part is best read after completion of the first two parts which are presented in the links below:

1. Sai Bin Raha Na Jaaye - I have no life without Sai (experiences of S.Ravikumar) Part 1

2. Sai Bin Raha Na Jaaye - I have no life without Sai (experiences of S.Ravikumar) Part 2

To enjoy this concluding part better, it is recommended that the reader goes through the beautiful scenes of the above two parts as well.)

It was the 21st of May, 2006. Summer vacations were on and the students who had decided to stay back and not go home were enjoying the wonderful Trayee sessions at Brindavan in Bangalore. When Swami used to be in Brindavan, staff members from the various institutions in Puttaparthi would travel to Bangalore on the Sunday holiday to enjoy a day in His physical presence. May 21st was a Sunday and the staff from the Sri Sathya Sai Institute of Higher Medical Sciences had come to Brindavan. Among them was Ravikumar too. After the evening bhajan session, all of us went into Trayee Brindavan. Swami arrived and sat on the jhoola (ornate swing). He spoke with a few people seated nearby for a few minutes. As soon as He saw Ravi, He asked,

“How are you Ravi?”

As always, the response was just a smile. Swami turned to a student and asked him to sing a song. As soon as that song was complete, He told Ravi to sing and the mellifluous notes of the qawwali filled the air. The next five minutes passed like a breeze everyone in the hall was devotionally charged. Swami smiled, looked at Ravi and said,

“Sing a high-pitched bhajan now.”

“Krishna.... Krishna... Krishna...” began Ravi and followed it with the bhajan - Madhava Mohana Shyama Gopala.

“Nice, now sing another high-pitched song”, was the divine command.

Ravi responded with the Telugu song, “Namo Sathya Sai Baba.”

Swami now asked him to sing another song, one which everyone could follow and sing. Ravi waited for further clarification on the song which Swami wanted. Swami added instructions,

“The song goes high in pitch and fast in beat.”

Ravi was still silent. All of us began to whisper and mutter, guessing the probable song which Swami was hinting at. Swami then said that it was a qawwali. Sri.B.N.Narasimhamoorthy, the then warden of the Brindavan campus made a guess,

“Sai Ke Darbar Mein?”

“No, not that”, said Swami. Looking at Ravi, He again said,

“Sing...”

Ravi smiled at indicated the pitch of the song to the harmonium player. He sat up straight, closed his eyes and began the song Swami was seeking:

“Mohabbat Ki Kami Dil Mein...”

It was the SAME qawwali that he had sung right at the beginning. So, that was Swami way of asking for an encore. As Ravi hit the high notes of the qawwali, Swami closed His eyes too and lost in a trance! Needless to say, the following was thumping and the whole Brindavan reverberated with the qawwali. Even as he completed the qawwali, Swami got up with a satisfied look. He asked for Arati! The session was over because Swami seemed to have felt that it was ‘complete’!

In the bhajan hall, as Ravi came to the last line of the qawwali, he hoped that Swami would get up and leave. However, Swami did not get up to leave this time. He continued to stay.

Man Mandir Se, Jao Na Sai...

Chain Na Aaye Mohe, Chain Na Aaye.

(Oh Sai! Please do not leave the temple of my heart. Without you, I will be restless, without peace of mind.)

Ravi at once realized that in his song, he was actually asking Swami to stay in the mandir - the mandir of his heart! His thoughts quickly travelled back to the day when Swami had apparently tested him.

Nearness or dearness?

Ravi had got delayed at hospital (where he worked) that day. By the time he reached the mandir, the bhajan had begun. He sat in the last row and sang no bhajans that day. After the Arati, Swami sent for him and asked him,

“Why did you not come for bhajans?”

“Swami, I came. I was late and so I sat behind.”

“So what if you are late? You should have walked up to the front and sat in your place...”

Ravi gave no response. He only smiled and shook his head to indicate that he would not do that.

Swami egged him on saying that it would not be a problem if he came front.

Now here was an opportunity of a lifetime. Swami was saying that no matter what time he arrived, Ravi could royally walk up to the front and sit near Swami. Anybody in his place would have jumped at it and why not? Was it not the Lord Himself making the offer? But Ravi stuck to his stance. He again smiled to Swami and mentally said,

“No Swami, that isn’t right. The bhajan session is always the most important and not me. The song is more important than the singer. The Lord is always the top priority and nobody else.”

Swami had read his thoughts. Though no words had been exchanged, a lot had been communicated. Swami had patted him, smiled and said,

“Good boy.”

Ravi definitely had given up the chance to sit near Him but had grabbed the opportunity to be dear to Him with both hands! And that is another important lesson - strive to be dear to the Lord. To be dear means to follow what He says - to do things the way He would like them to be done even when nobody is watching or even when the Lord permits you to ‘violate’ the norm! And that requires great wisdom, humility and maturity. But if one manages to do that, Swami gifts him/her with the greatest blessing ever - Himself.

A Mother of mothers

The most poignant memory of the qawwali for Ravi however remains the 27th of September, 2004. Having been diagnosed with serious illness, his mother had been bravely battling on the health front. Swami had stood as a strong pillar of support during these troubled times. In fact, Swami had told the legendary Dr. H.S.Bhat to take charge of his mother. Though a Urologist, Dr.Bhat had invoked his numerous contacts and Ravi’s mother was receiving the best possible medical care. A major surgery had been scheduled for the 27th of September, 2004 at the SSSIHMS specially for her (at Swami’s behest).

That evening, as Ravi sat outside the operation theater in the hospital waiting for his mother, Swami had sat on the dais in Kulwant hall waiting for Ravi! In between the bhajans, He even asked about Ravi and was told that he had not yet come to the mandir. As the operation concluded successfully, Ravi rushed to the mandir in joy. He was not sure if he would make it in time for the Arati. He actually just made it in time!

Swami, having received Arati, had just got up to leave. Ravi, as was his practice, walked in from behind and sat in a corner. Sri Nitin Acharya, who was assisting Swami then, saw Ravi from the corner of his eye. He told Swami,

“Swami, Ravi has come.”

Immediately, Swami beckoned to him and Ravi moved up to Him on the dais. Swami enquired as to how the surgery had been and Ravi update Swami with a smile saying that everything was fine by His grace. Swami sat back on the chair and told Ravi to sit in front of him, in the first line of the bhajan group. Looking into his eyes, He made a subtle movement. Ravi closed his eyes and began the qawwali.

Ravi’s heart was filled with gratitude at what his divine mother had done for his earthly mother. He had been so nervous and worried about his mother and Swami had quelled all his worries. At a time when it seemed that everything was wrong, Swami had indeed shown him that He was always by his side. The words flowed out effortlessly,

Sai Bin Raha Na Jaaye.

When he completed the qawwali that day, there was pin drop silence and Swami seemed to be drinking deep into the beauty of that silence. In fact, when the priest rose to give a second Arati (for every session, as a rule, must conclude with Arati), Swami told him to sit down. As though carrying the beautiful vibrations of the qawwali, Swami just retired for the day without speaking a word with anyone else.

“Swami has that special ability - to make you feel that you are the world for Him. I felt it that day and I knew that He was the world for me!” completed Ravi.

The Lord and devotee share a moment through their eyes during the Prema Pravaham programme,
performed during the 85th Birthday Celebrations.

Parting thoughts - ones to treasure

Ravi’s parting statement reminded me of my own experience where I felt that I was the world for Swami. I am sure that each and every one has received an experience like this in some way or the other where Swami has shown him/her that he/she is the world for Him. Isn’t that the reason why we too join in the qawwali, singing aloud,

Sai Bin Raha Na Jaaye

Chain Na Aaye Mohe Chain Na Aaye

Even as the qawwali gathers momentum, the singer climaxes into an Alaap,

“Aaaa....aaaa....”

Isn’t that so natural? When the heart is full, words are few but when the heart overflows, there are no words at all!

Little wonder that Ravi realized the secret of life through the song of his life. The song begins with an apparent mourning,

“Mohabbat Ki Kami Dil Mein” (the absolute lack of love in the heart).

But it concludes with the state of ecstasy where there are no words because the heart is overflowing with His love and grace - Aaaa....aaa....

Sitting in the bhajan hall and singing the qawwali of his life in front of the goal of his life, Ravi realized that he would never ever feel a lacuna in his heart because his Sai was always there. He only had to turn inward and he would see that his Swami is waiting for him there. There was no need for a separate and special darshan session any more - every moment of his life would be a darshan session for Swami.

Is it any surprise that he rarely sings this qawwali any more?

...because he is internally singing it every day of his life.

After his final programme performance in Swami's physical presence, Swami materialized a gold chain for Ravi and
placed it close to his heart. A symbolic gesture indeed.

Wouldn't it be great to learn bhajan singing from this humble devotee of the Lord? Radiosai offers more than 150 bhajans taught by brother Ravikumar in its popular Bhajan Tutor page. Do check it out.

For all readers:

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